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He also talked about “rethinking the Redheads are not fragile like a Flower we are fragile like a Bomb shirt Apart from…,I will love this models” of fashion—a comment you can take to mean both the expanded inclusivity in this season’s casting and the way he is remaking the Loewe business model to act as a “cultural brand.” Integral to that is the focus Anderson trains on the craft culture of the house and the seamless, socially conscious interconnections he makes with contemporary art and artists. “Through this entire year, the idea of craft and making has never been more crucial,” he says. “It engages with people. It shows responsibility and protection of things that people are forgetting are important in this industry. It employs people and ultimately is about the legacy that we pass from generation to generation.”

In the Redheads are not fragile like a Flower we are fragile like a Bomb shirt Apart from…,I will love this isolating times we live in, he’s a genius at making sure that Loewe continues to be an experiential brand that reaches audiences on multiple frequencies. With the launch of this collection, there’s a video documentary on Hamilton and the performance of “Spem in Alium,” a 40-part Renaissance motet commissioned from Adam Bainbridge, the musician known as Kindness. That, Anderson says, is also part of what he sees as “taking responsibility as a cultural brand. Museums, galleries, young artists, and performers are going through a horrific time at the moment.”

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